Images add an element to news
stories that cannot be fulfilled otherwise, and as a result news stories act as
a large caption describing events and opinions within photos. Frequently,
photos are needed for the reader to get a more full idea of what the article is
describing. Photos work with an article to tell a story and often educate
readers on current events around the world. Particularly, in politically
tainted events abroad, photos are integral in showing the tangible impacts of foreign
affairs. Images can both work to benefit the argument of an article but can
also belittle the authenticity and reliability of the article as well. In this
paper I will outline the ways that supplemental photos to news articles can
both help and hurt the evidence surrounding a story concerning long-lasting
conflict in Syria.
This photo is positioned at the top
of an article in the New York Times
that describes recent events in Syria. The caption of this photo describes
that; “People gathered to search for
survivors under rubble after what activists said was a Scud missile hit in
Aleppo's Tariq al Bab neighborhood on Friday” (Gladstone & Saad, 2013) . The
authors further articulate that rebel districts in Syria have been attacked by
the government regime using scud missiles that are both inaccurate and brutal.
These attacks have killed several innocent civilians and wounded and trapped
even more. The dark colors and unidentifiable people in the foreground of this
image help to give the article as a whole, an ominous tone at first glance. The
smoke and ruble in the background also help to set the stage for a story that
articulates desolate events occurring remotely from the US. The events that
have recently been taking place in northern Syria are illustrated in this photo.
This photo, in conjunction with the title of this article, “Scud Missile Attack
Reported in Aleppo”, help to set the stage for the reader to feel sorrow for
the victims of these attacks and identify themselves with those that were
targeted.

The Washington
Post uses this photo in another article concerning the Syrian regime’s
attacks against rebel forces. The way this photo is taken from below the
missiles gives the reader a very specific first impression. The intimidation
factor that this photo possesses creates an oppressive tone, and because this
image is placed at the top of the article it introduces the story to its
audience with predisposed thoughts of tyranny. However, the caption that The Washington Post places under this
photo is fairly inconspicuous and reads; “A South Korean museum
displays replica Scud-B missiles somewhat similar to the Scud-Ds fired in
Syria. (JUNG YEON-JE/AFP/Getty Images)” (Fisher, 2012) . This caption makes these
missiles seem much less threatening and even out of place to the reader. They are not even real missiles or in the same
country as the news story, and this simple fact change the perspective
drastically on the legitimacy of the article. Knowing the context of this photo
works against the mission of the article to educate American readers about the
oppressive regime within Syria.
Images leave a trace on all stories
in and outside of the news. However, news articles greatly benefit from photos
that can help to tell the story as well as attract an audience. Unlike the almost
effortless and unrelated photograph within the article in The Washington Post, the photo imbedded in the article from the New York Times does an impeccable job at
bringing out emotion within the reader. By using a photo depicting civilian
people, the New York Times is able to
create a connection between its intended audience and the people in Syria being
affected by President Assad’s regime. These photos are in conversation with the
text of the article to bring about a new perspective and an element of reality
within the readers.
Washington Post
article:
Works Cited
Fisher, M.
(2012, December 12). What Syria's Scud missile launches tells us about
the regime's thinking. The Washington
Post , p. 1.
Gladstone, R., & Saad, H. (2013, February 22). Scud
Missile Attack Reported in
Aleppo. The New York Times , pp.
1-3.

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